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Welcome to Music Appreciation

Music.

What is Music?

Why do we need Music?

When does sound become Music?

Haiti

Poem by Carvens Lissaint

Carvens is a Hatian-American poet and performer from New York City. He was on the 2009 Urban Word NYC slam team. His poem, "Haiti" was written a year ago and has a startling prophetic tone in the wake of recent tragic events in Haiti. He is a passionate and ruthless force. Under heavenly grace and favor, Carvens' mother who was in Haiti at the time of the earthquake is safe and back home in the arms of her family. Carvens continues to be a recognizable face of the future and a profound example of noble men. Please share his poem. Please support Haiti in the relief efforts.

www.everydropchi.com

Every Drop Counts is a grassroots organization developed by a group of young artists and activists in the wake of the earthquake in Haiti. They are working to bring clean drinking and bathing water to Haitians working with the World Water Relief. Please donate to their efforts and follow them on twitter: @everydropchi

--
shot by Steven Duarte
www.stevenduarte.com

When do our actions become music?

Capoeira and Breakdancing

Five Universal Fundamentals of Music:

  1. Timbre - Tone Quality; Each instrument will sound different from the next. Just as every player will sound different from the next.
  2. Tonality - A collection of tones, or sounds; A key signiture
  3. Pulse - Rhythmic texture; Beat
  4. Density - Amount of activity; Concentration of sound; Balance of sound and silence; Balance of space and movement
  5. Implication - Meaning; Purpose

The Syllabus for this class is available here.

The additional recordings we will use in this class are available here. Once you complete the download (537 MB) right click on it (Windows) and extract all onto your computer or thumbdrive. You should be able to do this on any computer.

View the Tree of Influence prezis here.

The Prezi Music timelines are here.

Class discussions will include:

  • What is music?
  • Fundamentals of Music
  • Musical Form
  • Musical Styles
  • Music Notation
  • The role of time in music
  • Active Listening
  • The purpose/role of music in different places around the world
  • Capoeira - Brazilian martial art
    • Music and Musical Instruments
    • Movements
    • Philosophy
    • Historic Origins
  • Humanity's struggle for transcendence
    • Religious/Sacred Music
    • Secular Music
    • Blues Music
    • The Underground Railroad
    • Riverdance
    • Capoeira
  • Just-Intonation & Equal temperment

Chapters discussed:

  1. PART 2 Medieval and Renaissance Music
    • UNIT III The Middle Ages
    • UNIT IV The Renaissance
  2. PART 4 The Baroque Era
    • UNIT VI The Baroque and the Arts
    • UNIT VII Vocal Music of the Baroque
    • UNIT VIII Instrumental Music of the Baroque
  3. PART 5 More Materials of Form
    • UNIT IX Expanded Elements of Form
  4. PART 6 Eighteenth-Century Classicism
    • UNIT X The Classical Spirit
    • UNIT XI Clasical Chamber Music
    • UNIT XII The Classical Symphony
    • UNIT XIII The Eighteenth-Century Concerto and Sonata
    • UNIT XIV Choral Music and Opera in the Clasical Era
  5. PART 7 The Nineteenth Century
  6. UNIT XV The Romantic Movement

Major Assignments:

Timeline of Music Evolution

(Due Wednesday of Week 3)

Use your text book only to create a timeline of music's evolution from (1750/1800) until (2000). Be sure to include page numbers for each development.

  1. Site five major developments from 1750-1800
  2. Site five major developments from 1800-1850
  3. Site five major developments from 1850-1900
  4. Site five major developments from 1900-1950
  5. Site five major developments from 1950-2000
  6. Major developments include:
    • Music Periods
    • Musicians
    • Musical Styles
    • Cultural events
    • Social developmemnts

Tree of Influence

Select any musician from your text book. Create a physical, visual diagram displaying the musicians and events that helped shape the music (s)he, or they, created. Include the following:

  • At least 30 influences (musicians, artists, family, events, etc)
  • At least 3 sentences about each influence and site the source with each

Wikipedia is not an acceptable source for the works cited and will lower the final grade by at least 10 percent.


Discovering Our Musicians - 10%

  1. Group Power Point Presentations during the term:
    • Any musician/music ensemble from southwest Ohio
  2. Power Point Slide Show Component
    • Introduce the artist
    • Region(s) where artist performed
    • Time period/current events of the time period
    • Genre
    • Artist’s influences
    • Artist’s impact on the world
    • 20 slides
    • Include a Works Cited page
  3. Presenter must make consistent eye contact with listeners
  4. Points will be deducted for pour communication with audience, ie lack of eye contact

Audacity Project

We will spend time in class to understand the Audacity audio editing software. The following will be completed outside of the class:

  1. Select a minimum of 2 songs (I suggest instrumental) that you have in electronic format, mp3 or wave.
  2. Import the songs into Audacity.
  3. Compose a Rap or Song Lyric at least 1 minute long
  4. Your rap needs to be inspired by a major current event or issue:
    1. Healthcare
    2. Deforestation
    3. Gender Inequality
    4. etc.
  5. Record your rap lyric into Audacity
  6. Use at least 3 effects from the effects window
  7. Finished song must be at least 3 minutes

2 Concert Reports – 5 percent each - 10 percent total:

Attend 2 live, at least 1 hour, Music performances and submit a report answering the following questions:

  1. Where?
  2. When?
  3. Who performed?
  4. Who played what instrument(s)/sang?
  5. What did the music sound like (genre, emotions, implications, etc)?
  6. How did the music make me feel?
  7. How was it similar or different from what I normally listen to?
  8. What did I gain from attending this performance?

Standing In the Shadows of Motown

We will be watching and discussing this film during the term.

Questions about the film:

After listening to the music examples in the film, describe the Motown sound.
What music do you enjoy listening to normally?
How is the sound of Motown similar and/or different from what you normally listen to?

Imagine you are a musician similar to one of the Funk Brothers:

How do you think you would feel if your career had taken a similar path?
Click to watch "Standing In the Shadows of Motown" here.

Listening Examples

Multi-voice Poetry examples posted here.

John Lee Hooker "Boom Boom Boom"

James Brown "The Big Pay Back"

"What's Going On"

Marvin Gaye

While listening to "What's Going On" ask yourself the following questions:

  1. Can we relate to this album? What parts? Why?
  2. How do we live life for the children?
  3. What do the abrupt transitions say about the message contained with this album?
  4. What do the transitions possibly say about the life of Marvin Gaye?
  5. How do we save the world?
  6. How can "God is Love" and "Flyin' High" convey the same message?
    1. Are they part of the same message? If so, what message?
  7. What is the statement being made by the saxophone in "Mercy Mercy Me"
  8. What is the statement being made at the end of "Mercy Mercy Me" by the chorus and the band?
  9. As soon as "Inner City Blues" begins what do you think?
  10. Re-think how we can we relate to this album.

Song List:

  1. What's Going On
  2. What's Happening Brother
  3. Flyin' High (In the Friendly Sky)
  4. Save the Children
  5. God is Love
  6. Mercy Mercy Me
  7. Right On
  8. Wholy Holy
  9. Inner City Blues (Makes Me Wanna Holler)
What's Going On Cover

Analyzing Musical Form

Miles Davis "So What"

  1. Describe, with adjectives, the sound of Miles Davis, John Coltrane, Canonball Adderly, and Bill Evans solos.
    • the melodic lines
    • the use of sound and silence
    • the personality of the instrument

The next two examples will play in this player.

Abduls Allums "Left Running"

  1. Draw on this program, any paint program installed on your computer, or on paper, the textural development of this piece. Identify each texture with it's own color or shape.

Howlin Wolf "Evil"

  1. Use A, B, etc. to identify the musical structure of this song.

Beethoven "Fur Elise"

This is an iMusic example on the Resource DVD that came with your book

  1. Use A, B, etc. to identify the musical structure of this song
You will be graded on completeness of ideas and how well you answer each question. So give yourself at least 30-45 minutes to listen and respond to the set of songs.

 

Listening to Steve Turre - Shells

John Cage, "Solo for Sliding Trombone"

Ravi Shankar

What is the song about?

What are your emotional reactions?

Describe the song in adjectives.

Submit your work on BlackBoard.

Audio/Visual Resources:

We will be studying the John Cage Water Walk video to the right:

  1. Let the entire video load first.
  2. Skip to the approximate middle and start listening at about 4:50. (Do not watch the video the first time. Just listen to it.)
  3. Write down what you think you are hearing:
    • Instruments
    • Meaning
  4. Listen and watch the video from the beginning answering the following questions:
    1. Were you accurate with any of the instruments being used?
    2. What were the actual instruments being used?
    3. Was it enjoyable? Why?
    4. Why do you think this video was necessary?
    5. "Laughter is preferable to tears." What does that mean? Are we intended to take this music seriously? Why?
    6. In what situations have you been where the music you listened to was intended to be taken seriously?
    7. In what situations have you been where the music you listened to was not intended to be taken seriously?
  5. What additional thoughts do you have from this video?